In Jezebel Unhinged Tamura Lomax traces the use of the jezebel trope in the black church and in black popular culture, showing how it is pivotal to reinforcing men's cultural and institutional power to discipline and define black girlhood and womanho
James Baldwin lived his last 16 years in a sprawling house nicknamed "Chez Baldwin." This book employs Baldwin's home space as a lens through which to eplore the politics and poetics of blackness, queerness, and domesticity in his later works.
In Migrants and City-Making Ayse Çaglar and Nina Glick Schiller trace the participation of migrants in the unequal networks of power that connect their lives to regional, national, and global institutions.
It passes for an unassailable truth that the slave past provides an explanatory prism for understanding the black political present. In None Like Us Stephen Best reappraises what he calls "melancholy historicism"-a kind of crime scene investigation