It is not intended as an autobiography or a clinical paper on the healing process but as an account of a very personal inner journey. Marika Henriques records in words and images how she was shaped and her profession determined by historical events. She was born in Budapest in 1935. During the Holocaust in 1944, separated from her family, she became a hidden child. She was nine years old and those dark times had a profound and lasting effect on her. That being a Jew was shameful and had to be hidden remained deeply etched into her being for decades. Fascism was followed by communism after the war. Persecuted once more, now for her middle class background, she escaped, at the age of twenty-one, in 1956 during the Hungarian uprising. She crossed the border on foot amongst mine fields in temperatures of minus 25 degrees centigrade. Eventually she arrived as a refugee in England and in 1961 she married a Swedish Jew.
In due course she found her vocation and became a Jungian psychotherapist. In doing, so she had to undergo psychoanalysis, during which the drawings and poems poured out of her as part of the healing process. Jung's ideas were an integral part of the process of understanding herself and her images. The drawings the drawings emerged unbidden and were drawn quickly, without fully understanding what they signified, but over the years she has stitched 19 of them as tapestries. The gentler pace of stitching was all a part of the healing process, and they are woven together with the drawings and poems in the book as she unfolds her story, the story of wounding and healing, herself and others. The culmination was a painstaking journey to return to her tradition and people. It started with a major surgery and ended twenty years later on the pulpit, the bimah, of a synagogue.