Disappearances, which features an astonishing variety of verse forms and voices, from mediaeval times to the present day, is Kathleen Bell first full-length collection.
In the title poem, the speaker sits at the window of a small hotel room. The room is a holding zone, a temporary stopping-place between memory and possibility. In the Quaker Hotel is full of questions about the world.
Harvey Gillman describes himself as a seeker, explorer, and a finder, and something of a heretic. Trained as a modern linguist (French and Italian, with Spanish later), he is fascinated by the challenge of communicating beyond frontiers.
Weaving together personal stories, Threads deals with the meanings of intimacy, vulnerability and our affinities with people and places, both wild and tame.
There is no doubting the profound intent and varied ambition of this collection. Caught in the withering and implacable gaze of war, Owen refuses to flinch.
This is a book about a poet, about a poem, about a city, and about a world at a point of change. More than a work of literary criticism or literary biography, it is a record of why and how we create and respond to great poetry.